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Partituras

Original: William Byrd. some solemne, other joyfull, framed to the life of the Words. to this writer.

Traducción: Unless Byrd had access to pre-publication copies of the Primer.

Partituras

Original: Summi triumphum regis I. A “sequentia” for the Ascension transcribed from the Trent manuscripts tr89. Anonymous. A cappella. Latin.

Traducción: Anônimo. Sagrado, hino Sequência para a Ascensão. Língua. ATT. 3 vs..

Partituras

Original: Summi triumphum regis II. A “sequentia” for the Ascension transcribed from the Trent manuscripts tr93. Anonymous. A cappella. Latin.

Traducción: The time signature is missing in both the voices, the “tempus perfectum” has been assumed from the context. Anônimo. Língua. TB.

Partituras

Original: Dum transisset Sabbatum. From a manuscript in the library of Christ Church, Oxford. Robert Johnson. A cappella.

Traducción: Sagrado, Motet. Língua. Latin. SATBarB. A partir de um manuscrito na biblioteca do Christ Church, Oxford.

Partituras

Original: Dum transisset Sabbatum. From a manuscript in the library of Christ Church, Oxford. Robert Johnson. A cappella.

Traducción: Sagrado, Motet. Língua. Latin. SATBarB. A partir de um manuscrito na biblioteca do Christ Church, Oxford.

Partituras

Original: Single chant "Dixit Dominus". Adaptation of Satie's Dixit Dominus , from his Messe des Pauvres. Erik Satie. Organ or a cappella.

Traducción: Chant Single "Dixit Dominus". Órgão ou a cappella. Sacred canto, Anglicana. SATB. Adaptação de Satie Dixit Dominus, de Sua massa de pobres.

Partituras

Original: Gesang der Mönche. After each line is sung there is a brief pause, which contributes effectively to the somber atmosphere.

Traducción: , Beethoven was suffering from a lingering illness, first contracted in October, 1816. Ludwig van Beethoven. A cappella.

Partituras

Original: Opferlied, Opus 121b. The poem first appeared in 1790, so Beethoven may have known the text while he lived in Bonn.

Traducción: Opferlied, 121b Opus. Ludwig van Beethoven. Plano. Secular, Lied. Língua. Alemão. SSATB. 1761-1831. "Opferlied".

Partituras

Original: Petite Messe Solennelle. This work was Rossini's last major composition and dates from 1863. First performed 1864.

Traducción: The work is dedicated to the Comtesse. piano version may be thought to be the best. Gioachino Rossini.

Partituras

Original: Single chant "Dixit Dominus". Adaptation of Satie's Dixit Dominus , from his Messe des Pauvres. Erik Satie. Organ or a cappella.

Traducción: Chant Single "Dixit Dominus". Órgão ou a cappella. Sacred canto, Anglicana. SATB. Adaptação de Satie Dixit Dominus, de Sua massa de pobres.

Partituras

Original: This is Australia. When I began working on my entry to the ROCS composition competition I. struggled to find suitable text.

Traducción: Eventually I thought “Hang on, this is supposed to. Firstly, to create a light and. Secondly, to.

Partituras

Original: Deconstruct a chrysalis. This piece is dedicated to Leanne,. In setting the poem I have tried to capture the violence.

Traducción: The poem is about the futility of using reductionism in an attempt to understand life, and the universe. Michael Winikoff. Língua.

Partituras

Original: Opferlied, Opus 121b. The poem first appeared in 1790, so Beethoven may have known the text while he lived in Bonn.

Traducción: Opferlied, 121b Opus. Ludwig van Beethoven. Plano. Secular, Lied. Língua. Alemão. SSATB. 1761-1831. "Opferlied".

Partituras

Original: Europe. This whole composition was first published in 1770, titled Europe, but with different words. , with a change to 3. 86.

Traducción: In 1770, the first portion was in cut time. from Isaac Watts' Hymn 7 of 1709. William Billings. A cappella.