Guitar tablature for "Chord Fingerpicking" by "Total Guitar"

Artist: Total Guitar
Piece: Chord Fingerpicking
Instrument: Guitar
Submitter: gbguitartabs
Tab provided by tTabs

#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#

CHORD FINGERPICKING
Total Guitar



Level: Beginner

 
Written by Steve Skinner
 

Gtr I (E A D G B E) - 'Untitled'


   Thumb and first finger
    Q=92
    G                                 Em
   3/4
    Gtr I
    E E E E E E   E E E E E E         E E E E E E   E E E E E E
||--------------|---3----------||-||--------------|---0----------||
||o-----------3-|-------3-----o||-||o-----------0-|-------0-----o||
||--------0-----|-0---------0--||-||--------0-----|-0---------0--||
||----0-----0---|-----0--------||-||----2-----2---|-----2--------||
||o-----2-------|---------2---o||-||o-----2-------|---------2---o||
||--3-----------|--------------||-||--0-----------|--------------||


   Introducing second finger
    Q=104
    C              G/B            Am7            G
   4/4
    Q  Q  E E Q    Q  Q  E E Q    Q  Q  E E Q    Q  Q  E E Q
||---------------|--------------|--------------|----------------||
||o---------1----|---------3----|---------1----|---------0-----o||
||-----0------0--|----0------0--|----0------0--|----0------0----||
||---------------|--------------|--------------|----------------||
||o-3-----3------|-2-----2------|-0-----0------|---------------o||
||---------------|--------------|--------------|-3-----3--------||


   1st/2nd fingers alternating
    Q=96
    Em            Em/G          D6/F#         B7
   3/4
    E E E E E E   E E E E E E   E E E E E E   E E E E E E
||--------------|-------------|-------------|--------------||
||o-----0---0---|-----0---0---|-----0---0---|-----0---0---o||
||----0---0---0-|---0---0---0-|---2---2---2-|---2---2---2--||
||--------------|-------------|-------------|--------------||
||o-------------|-------------|-------------|-2-----------o||
||--0-----------|-3-----------|-2-----------|--------------||


   Introducing PIMA
    C       C/B       C/A     C/G       Fmaj7          G7
   4/4
    E E E E E E E E   E E E E E E E E   E E E E H      E E E E H
||--------0-------0-|-------0-------0-|-------0------|-------1-------||
||o-----1-------1---|-----1-------1---|-----1--------|-----0--------o||
||----0-------0-----|---0-------0-----|---2----------|---0-----------||
||------------------|-----------------|--------------|---------------||
||o-3-------2-------|-0---------------|--------------|--------------o||
||------------------|---------3-------|-1-------1----|-3-------3-----||


   More PIMA
    Q=84
    E                Cadd9            E                Cadd9   D
    E E E E +H       E E E E +H       E E E E +H       E E E E E E E E
||----0------------|---3------------|---0------------|---3-------2-------||
||o-----0----------|-----3----------|-----0----------|-----3-------3----o||
||--------1-(1)----|-------0-(0)----|-------1-(1)----|-------0-------2---||
||-----------------|----------------|----------------|---------0---------||
||o----------------|-3--------------|----------------|-3----------------o||
||--0--------------|----------------|-0--------------|-------------------||


   Developing m & a fingers
    Q=96
    Am                Am/C              E/B               E
    E E E E E E E E   E E E E E E E E   E E E E E E E E   E E E E E E E E
||------0---0---0---|-----0---0---0---|-----0---0---0---|-------------------||
||o-------1---1---1-|-------1---1---1-|-------0---0---0-|-----0---0---0----o||
||----2-------------|---2-------------|---1-------------|-------1---1---1---||
||------------------|-----------------|-----------------|---2---------------||
||o-0---------------|-3---------------|-2---------------|------------------o||
||------------------|-----------------|-----------------|-0-----------------||


   Up and Down patterns
    Asus2              Dm9/F              G6               E
    E E E E E E +Q     E E E E E E +Q     E E E E E E Q    E E E E E E E E
||--------0----------|-------0----------|-------0--------|-------0-----------||
||o-----0---0--------|-----3---3--------|-----3---3---3--|-----0---0---0----o||
||----2-------2-(2)--|---2-------2-(2)--|---2-------2----|---1-------1---1---||
||-------------------|------------------|----------------|-------------------||
||o-0----------------|------------------|----------------|------------------o||
||-------------------|-1----------------|-3--------------|-0-----------------||


http://www.gbpowertabs.tk - the best tabs on the internet. 
all 100% complete (with any solos) and most include bass tabs. 
the tabs actually play back to you as midi files!

--------------------------------------------------------------------------------


Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff

Tablature Legend
----------------
 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
 - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
n/  - tremolo bar dip; n = amount to dip
 n  - tremolo bar down
 n/  - tremolo bar up
/n  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash

Misc Legend
-----------
 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers -  = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths



--------------------------------------------------------------------------------

** Generated using Power Tab Editor by Brad Larsen: The Official Power Tab Web Site