Work Title
|
Ode for St. Cecilia's Day
|
Alternative. Title
|
|
Name Translations
|
Ode for St. Cecilia’s Day; Oda za praznik svete Cecilije; Ode per il giorno di Santa Cecilia; 聖セシリアの日のための頌歌
|
Name Aliases
|
Cäcilienode; K. 592; Ode for St Cecilia’s Day, HWV 76
|
Authorities
|
WorldCat; Wikipedia; VIAF: 182230890; LCCN: n88611383; GND: 300064578; BNF: 13913104q
|
Composer
|
Handel, George Frideric
|
Opus/Catalogue NumberOp./Cat. No.
|
HWV 76
|
Internal Reference NumberInternal Ref. No.
|
IGH 357
|
Movements/SectionsMov'ts/Sec's
|
12 movements:
- 1. Overture
- 2. Recitative (tenor): From Harmony; When Nature
- 3. Chorus: From Harmony, from Heavenly Harmony
- 4. Aria: What Passion cannot Music Raise and Quell
- 5. Aria (tenor) and Chorus: The Trumpet's Loud Clangour
- 6. March
- 7. Aria (soprano): The Soft Complaining Flute
- 8. Aria (tenor): Sharp Violins Proclaim their Jealous Pangs
- 9. Aria (soprano): But Oh! What Art can Teach
- 10. Aria (soprano): Orpheus could Lead the Savage Race
- 11. Recitative (soprano): But Bright Cecilia Raised the Wonder Higher
- 12. Solo (soprano) and Chorus: As from the Power of Sacred Lays
|
Year/Date of CompositionY/D of Comp.
|
1739 (15-24 September)
|
First Performance.
|
1739-11-22 in London, Theatre in Lincoln's Inn Fields
|
Librettist
|
Based on a new setting of an earlier poem ("A Song for St. Cecilia's Day") by John Dryden (1631-1700); for St. Cecilia's Day 1687 (22 November).
|
Language
|
English
|
Composer Time PeriodComp. Period
|
Baroque
|
Piece Style
|
Baroque
|
Instrumentation
|
soprano, tenor; mixed chorus (SATB), orchestra
|
InstrDetail
|
flute, 2 oboes, bassoon, 2 trumpets, timpani, lute, strings, continuo
|
External Links
|
Wikipedia article MusicBrainz
|