Partituras $31.49

Original

Eugène Bozza. Contrasts III, for Clarinet and Bassoon. Sheet Music. Clarinet. CLT. Eugène Bozza.

Traducción

Eugène Bozza. Contrasts III, for Clarinet and Bassoon. Partituras. Clarinete. CLT. Eugène Bozza.

Original

To this day, Eugène Bozza. 1905-1991. remains one of the most prolific composers for wind instruments, despite being a violinist himself. His Contrasts III for Clarinet and Bassoon is no exception to the composer's success. During his studies at the Paris Conservatoire, Bozza won prizes for Violin, conducting and composition, as well as the Grand Prix de Rome. He then conducted the orchestra of the Opéra-Comique and became Head of the Conservatoire in Valenciennes, whilst remaining a prominent composer. Composed in 1955, Bozza 's Brief Piece is to be played on the Alto Saxophone and is a virtuosic work, addressing advanced features including, complex rhythms, chromaticism, a wide range and articulation. As music educationalist, Paul Griffiths has written of Bozza 's compositions, "his works reveal melodic fluency, elegance of structure and a consistently sensitive concern of instrumental capabilities.

Traducción

Para este dia, Eugène Bozza. 1905-1991. continua a ser um dos compositores mais prolíficos para instrumentos de sopro, apesar de ser ele próprio um violinista. His Contrasts III for Clarinet and Bassoon is no exception to the composer's success. Durante os seus estudos no Conservatório de Paris, Bozza ganhou prêmios para Violino, conduzir e composição, bem como o Grand Prix de Rome. Ele, então, dirigiu a orquestra da Opéra-Comique e tornou-se chefe do Conservatório de Valenciennes, mantendo-se um compositor de destaque. Composed in 1955, Bozza 's Brief Piece is to be played on the Alto Saxophone and is a virtuosic work, addressing advanced features including, complex rhythms, chromaticism, a wide range and articulation. Como educador música, Paul Griffiths tem escrito de composições Bozza "s", seus trabalhos revelam fluência melódica, elegância da estrutura e uma preocupação constante sensível das capacidades instrumentais.