Partituras $47.95

Original

Passacailles. Mikis Theodorakis. Piano Solo sheet music.

Traducción

Passacailles. Mikis Theodorakis. Partitura Piano Solo.

Original

Passacailles composed by Mikis Theodorakis. 1925-. For 2 pianos. 4 hands. This edition. paperback. Piano. Level 3-4. Text Language. Greek - French - English. Composed 1955. 44 pages. Duration 18 minutes. Published by Edition Romanos. M7.ER-48. ISBN 978-960-87567-0-0. With Text Language. Greek - French - English. The "Passacailles for two Pianos" were written during the years. 1954-60. when the composer lived and studied in Paris. During this period his compositional technique was dominated by a system of tetrachords built on the basic melodic material. The "Passacailles" may be regarded as typical examples of the aesthetic doctrine favoured by Theodorakis during this period when he incorporated tetrachords and still dominant classical compositional techniques into his own very personal contemporary conception. The soundscape generated by the two pianos, seemingly in competition with each other, is certainly amongst the most extreme and most enigmatic experiences to be found in the diverse and wide-ranging oeuvre of this important contemporary composer. Prelude. Divertimento. Passacailles I-VI.

Traducción

Passacailles composed by Mikis Theodorakis. 1925 -. Para 2 pianos. 4 mãos. Esta edição. brochura. Plano. Nível 3-4. Texto Língua. Grego - Francês - Inglês. Composta 1955. 44 páginas. Duração 18 minutos. Publicado por Edição Romanos. M7.ER-48. ISBN 978-960-87567-0-0. Com Texto Língua. Grego - Francês - Inglês. The "Passacailles for two Pianos" were written during the years. 1954-60. when the composer lived and studied in Paris. During this period his compositional technique was dominated by a system of tetrachords built on the basic melodic material. The "Passacailles" may be regarded as typical examples of the aesthetic doctrine favoured by Theodorakis during this period when he incorporated tetrachords and still dominant classical compositional techniques into his own very personal contemporary conception. The soundscape generated by the two pianos, seemingly in competition with each other, is certainly amongst the most extreme and most enigmatic experiences to be found in the diverse and wide-ranging oeuvre of this important contemporary composer. Prelúdio. Diversão. Passacailles I-VI.