Partituras $16.00

Original

Awatovi. Bassoon sheet music. Clarinet Solo sheet music.

Traducción

Awatovi. Partituras Fagote. Clarinete partituras Solo.

Original

Awatovi composed by Daniel Baldwin. For Clarinet, Bassoon & Piano. Level 5. Published by Imagine Music. IG.CMS126. The Awatovi ruins, located in Arizona, were once a thriving Hopi village, in existence for over 450 years before their first visitors arrived in 1540. first by scouts, and then by the conquistador himself, FranciscoVasquez de Coronado. Awatovi, for over 150 years, enjoyed a fairly peaceful coexistence with the Spaniards afterward, but by 1700, finally came to a clash between traditionalist Hopi and the converted Catholics. The result was that the traditionalists massacred the converts and then destroyed the village. Symbolically, the fall of the village marked the end of Spanish interference in Hopi life. The opening line by the bassoon represents the mixed intentions of those first explorers led by Coronado, and is intended to convey both Spanish and Native American voices. It is also a vision of the future to come, a haunting foreshadowing of the beautiful yet barren ruins to come. The next section is a jump back in time, a representation of Coronado's largely peaceful exploration throughout the southwest United States on his way toAwatovi. While Coronado's exploration was not without conflict, I chose to focus on the peaceful nature of his mission. There are two sections here. both are Spanish-flavored, but the first is representative of the exploration, while the second section is intended to suggest a campfire song reflecting what the journey might have been like at nighttime as they rested, chatted, and sang songs. This leads into movement two. Kiva. The Kiva murals were discovered in theAwatovi ruins. They are paintings representing Hopi tribal rituals and ceremonies. I have used the style of NativeAmerican flute music to portray this. Next is the Bugle Call, or El Deguello, represented and played by the bassoon. The bugle call is notable for its use as Spanish battle music, such as its use during the 19th Century storming of theAlamo. Though not historically accurate, its inclusion is symbolic and reflects the spirit of theAwatovi massacre. The music shifts to represent the actual attack, which is portrayed by a very dissonant and dramatic transitional passage. Finally, Kiva circles back to the opening material in a different key, symbolic of the shift in perception from Spanish conquistador, to Hopi descendant. Awatovi was written at the suggestion my good friend Ric Jones, and was supported by Richard Ramey and a consortium of oboe and bassoon players. Thanks to all of you for your vision and support of this project. The version for oboe, bassoon and piano was premiered at the Oklahoma SummerArts Institute by Elizabeth Knott and RodneyAckmann on June 19, 2012. The clarinet, bassoon, and piano version was premiered at the 2012 IDRS conference at Miami University of Ohio by Robert and Mary Nan Jordan on July 9, 2012.

Traducción

Awatovi composta por Daniel Baldwin. Para Clarinete, Fagote. Nível 5. Publicado por Imagine Música. IG.CMS126. As ruínas Awatovi, localizado no Arizona, era uma vez uma aldeia Hopi próspera, existe há mais de 450 anos antes de seus primeiros visitantes chegaram em 1540. first by scouts, and then by the conquistador himself, FranciscoVasquez de Coronado. Awatovi, por mais de 150 anos, teve uma convivência bastante tranquila, com os espanhóis depois, mas em 1700, finalmente chegou a um confronto entre tradicionalistas Hopi e os católicos convertidos. O resultado foi que os tradicionalistas massacrou os convertidos e, em seguida, destruiu a aldeia. Simbolicamente, a queda da aldeia marcou o fim da interferência espanhola na vida Hopi. A linha de abertura pelo fagote representa as intenções mistos desses primeiros exploradores liderados por Coronado, e se destina a transmitir ambas as vozes hispano-americanos e nativos. É também uma visão de futuro para vir, um prenúncio assombroso das belas ruínas ainda estéreis para vir. The next section is a jump back in time, a representation of Coronado's largely peaceful exploration throughout the southwest United States on his way toAwatovi. Embora a exploração do Coronado não foi sem conflitos, optei por concentrar-se na natureza pacífica de sua missão. Há duas seções aqui. ambos são o espanhol com sabor, mas o primeiro é representativo da exploração, enquanto a segunda seção destina-se a sugerir uma canção fogueira refletindo o que a viagem poderia ter sido à noite como eles descansaram, conversaram e cantaram canções. Isto leva em movimento dois. Kiva. The Kiva murals were discovered in theAwatovi ruins. São pinturas que representam rituais tribais Hopi e cerimônias. I have used the style of NativeAmerican flute music to portray this. Em seguida é a chamada de cornetim, ou El Deguello, representado e interpretado pelo fagote. The bugle call is notable for its use as Spanish battle music, such as its use during the 19th Century storming of theAlamo. Though not historically accurate, its inclusion is symbolic and reflects the spirit of theAwatovi massacre. A música muda para representar o ataque real, o que é interpretado por uma passagem de transição muito dissonante e dramática. Finalmente, Kiva círculos de volta para o material de abertura em uma chave diferente, simbólico da mudança na percepção do conquistador espanhol, para Hopi descendente. Awatovi foi escrito por sugestão meu bom amigo Ric Jones, e foi apoiado por Richard Ramey e um consórcio de jogadores oboé e fagote. Obrigado a todos vocês para a sua visão e apoio a este projeto. The version for oboe, bassoon and piano was premiered at the Oklahoma SummerArts Institute by Elizabeth Knott and RodneyAckmann on June 19, 2012. A versão clarinete, fagote, e piano foi estreada na conferência IDRS 2012 na Miami University de Ohio por Robert e Mary Nan Jordânia em 09 de julho de 2012.