Partituras $2.50

Original

Bound for the Promised Land. Choir sheet music.

Traducción

Limite para a Terra Prometida. Partituras Choir.

Original

Bound for the Promised Land. Eugene Rogers Choral Series. Composed by J. David Moore. For Choral. TTBB. Mark Foster. 20 pages. Published by Mark Foster Music. HL.35030210. ISBN 1495012336. 6.75x10.5 inches. Written at the request of Eugene Rogers for his new series, Bound for the Promised Land uses three 19th-century melodies. the shape note hymn “The Promised Land. ” and two Appalachian fiddle tunes, “Santa Anna's Retreat” and “The Temperance Reel. ” Using the Celtic phenomenon called mouth music or lilting, the singers accompany the dance music as fiddlers in a light and energetic fashion. The hymn tune, published in 1835, is credited to Miss M. Durhan, and is thus probably the first music published in America by a female composer. Duration Ca. 4 minutes.

Traducción

Limite para a Terra Prometida. Eugene Rogers Choral Series. Composta por J. David Moore. Para Choral. TTBB. Mark Foster. 20 páginas. Publicado por Mark Foster Música. HL.35030210. ISBN 1495012336. 6.75x10.5 polegadas. Written at the request of Eugene Rogers for his new series, Bound for the Promised Land uses three 19th-century melodies. the shape note hymn “The Promised Land. ” and two Appalachian fiddle tunes, “Santa Anna's Retreat” and “The Temperance Reel. ” Using the Celtic phenomenon called mouth music or lilting, the singers accompany the dance music as fiddlers in a light and energetic fashion. The hymn tune, published in 1835, is credited to Miss M. Durhan, and is thus probably the first music published in America by a female composer. Duration Ca. 4 minutes.