Partituras

Original

Plaudite tympana à 54. Heinrich Biber. Orchestra. 2 string groups. 2 violins, 4 violas each. , 2 descant recorders, treble and tenor recorders, 2 oboes, 2 clarini, 2 cornetti, 3 trombones, 2 trumpet groups. 4 trumpets, timpani each. , 2 organs, continuo. Sacred , Motet , Hymn. Language. Latin. SSAATTBB–SSAATTBB.

Traducción

Plaudite tympana à 54. Heinrich Biber. Orquestra. 2 grupos de cordas. 2 violinos, 4 violas cada. , 2 descant recorders, treble and tenor recorders, 2 oboes, 2 clarini, 2 cornetti, 3 trombones, 2 trumpet groups. 4 trompetes, tímpanos cada. , Dois órgãos, contínua. Sagrado, Motet, Hymn. Língua. Latin. SSAATTBB–SSAATTBB.

Original

This motet is a hymn accompanying the Missa Salisburgensis , composed by Biber in 1682 for the 1100th anniversary of the founding of the archbishopric of Salzburg by Saint Rupert. The vocal and instrumental forces comprise 16 solo and ripieno voice parts, and at least 38 instruments. the continuo is assumed to include a bass viol amongst other bass instruments, and possibly another keyboard instrument in addition to the two organs. In this motet, only the second bass of the second choir lacks a designated solo part. The score survives as a manuscript inscribed on massive 80 centimetre tall pages. From the time of its rediscovery in the late 19th century the work was attributed to the early 17th century composer Orazio Benevoli. who would have been 23 years old at the assumed date of composition. , or the later Salzburg composer Andreas Hofer, however the noted Biber scholar Ernst Hintermaier showed in the 1970s that Biber is the only possible composer of the work.

Traducción

This motet is a hymn accompanying the Missa Salisburgensis , composed by Biber in 1682 for the 1100th anniversary of the founding of the archbishopric of Salzburg by Saint Rupert. As forças vocais e instrumentais de solo compreendem 16 partes de voz e ripieno, e pelo menos 38 instrumentos. Supõe-contínuo para incluir uma viola baixo entre outros instrumentos de baixo, e, possivelmente, um outro instrumento de teclado para além dos dois órgãos. In this motet, only the second bass of the second choir lacks a designated solo part. A pontuação sobrevive como um manuscrito inscrito na maciças 80 centímetros de altura páginas. Desde o momento da sua redescoberta no final do século 19, o trabalho foi atribuído ao início compositor do século 17 Orazio Benevoli. que teria sido 23 anos de idade na data prevista de composição. Ou o mais tarde Salzburg compositor Andreas Hofer, no entanto, o estudioso Biber observou Ernst Hintermaier mostrou em 1970 que Biber é o único compositor possível do trabalho.